Showing posts with label Conte. Show all posts
Showing posts with label Conte. Show all posts

Thursday, January 12, 2012

Brett Whiteley's inisistent madness

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Harry Kent, Brett Whiteley's insistent madness,
charcoal and Conte on paper, 52x42cm



"One of the hardest things is to discipline oneself to keep looking until one sees to a point of almost insistent madness, to concentrate on one vision until it discloses its third and fourth veil, to keep seeing past what you have just seen requires feeling and ambition, the more open, the more unexpected and extraordinary the intervention ..."
[Brett Whiteley, from Catalogue of 1976 Exhibition, Australian Galleries, Melbourne]


Here i have portrayed BW with his red hair (he had curly red in life) acting as a kind a burning that both reveals and obscures his vision. I wanted a whiff of Promethean fire. I wanted a suggestion of dangerous craziness.

As Coleridge, the English poet, writes in 'Kubla Khan',
"Beware ! Beware !
His flashing eyes, his floating hair !
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise."



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Sunday, June 6, 2010

Julie Kay's Portrait Party

the other day i kindly received an invitation to join Julie Kay's portrait painting group on Flickr.

the idea is that one sends in photos of oneself, and then paints and posts portraits of the others who have sent in their photos. The huge attraction for this blogger is that NO SELF-PORTRAITS ARE ALLOWED!

The whole thing is a lot of fun, with 231(last count)  talented members creating a constant stream of brilliant, clever, humorous, beautiful, dramatic, whimsical, insightful, inventive portraits in every imaginable style. Thanks Julia for organising it all.

yahooooo, a holiday for me, and for you, gentle reader, from morbid introspection (it is actually my semester break).

so here are some of the paintings and drawings i completed and posted on the Painters Party over the last few days. They are a mixed bag because i'm using the oppotunity to motivate me to revisit some of my older styles of working and to try out some new ones.

goat transforming, oil on black paper, 23 x 28 cm



Inma, watercolour on paper, 27 x 23 cm



Allan, reed pen and ink on paper, 26 x 34 cm



Herman, brush and ink on paper, 26 x 34 cm



FlickChick, Conte crayon on paper, 32 x 24 cm
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